Site, Heritage + Archives

‘On and Off’ (2023)

Original song composition in response to interviews with Stephen Maitland about his time as a miner

Voice, electronics + samples

Performed live at Sonic Arts Week 2023 + Middlesbrough Art Weekender 2023

Commissioned by No More Nowt + Auxiliary Gallery

‘Hills of the North, Rejoice’ (2023)

Live improvisation: voice, electronics + samples

Sampled field recordings collected by workshop participants from around St Michael and All Angels Church

Performed live at St Michael and All Angels Church, Fell Foot Sounds Festival 2023

Commissioned by Fell Foot Forward, North Pennines AONB

‘Fast Forward/Re-Wild’ (2021)

Site-specific audio experienced using the geolocating ‘echoes’ app in specific spots around Middlesbrough. This work imagines a future town centre with its buildings as a series of cliff faces, re-wilded and now home to colonies of birds. It proposes a function for the high street beyond buying things, asks us to reconsider what public space is for and to think about our connection to the natural world as we go about our day. It is made up of five parts, consisting of field recordings, voice and synthesised sounds.

Voice, electronics + samples

Exhibited at Sonic Arts Week 2021

Commissioned by Auxiliary Gallery

‘Connections’ (2021)

Original song composition inspired by a visit to an ex-servants’ quarters located above RA Jackson, 18 Northumberland Street, North Shields

Voice, electronics + samples

Commissioned by VODA + North Shields Heritage Action Zone

‘Augmented Reality’ (2021)

This new audio work by Jayne Dent is written to accompany the listener through liminal spaces, actively encouraging the interruption of sounds and impressions from the environment around the listener to ‘finish assembling’ the piece: you are invited to take it for a walk.

It embraces zoning out and distraction as much as it encourages us to notice things more vividly, the traffic, birds and other environmental sounds and sights that greet us at the bus stop or on our walks. It is constructed of almost entirely digital sounds, with synthesised orchestral instruments as well as artificial static and synthesisers. The only organic sound we hear is the voice, which comes with layers of digital distortion and texture embedded within it, acting as the bridge between the listeners environment and the digital augmented reality space.

The piece is in part inspired by the practice of building grottos and follies; superficial and decorative buildings and augmentations to the landscape by wealthy landowners which give the illusion of a history that is not present, sometimes already built in a romantic ‘ruined’ state. It is inspired too by tales of defiance of trespass laws, roaming and rambling and the importance of reclaiming common land for public use.

The audio work is accompanied by a lino print which acts as both a graphic performance score and word-cloud, titled “Augmented reality part one (part two is around you)”. 

Commissioned by Monkfish Productions

‘The Waves Like Braids, Unravelling’ (2019)

Original composition in response to items found in the Women Artists of the North East Library

Voice, electronics + samples

Installed in Scarborough Market Vaults, 2020